Hochschulakzessprüfungen 2026 | Mündliches Examen in Albernisch
[Hörsaal 21] Hochschulakzessprüfungen 2026 | Mündliches Examen in Albernisch
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Meno nimmt auf der Bank auf dem Flur Platz und wartet bis er an der Reihe ist.
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Mister Pontneuf, please!
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Ah oui! Oh, pardon, äh yes yes, sis is I ähm Pontneuf... M - Mister Pontneuf, Meno. Enchanté!
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Please take a seat. Have you studied your literature with attention and care, young man?
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Oh yes yes... I... very study books, yes...
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Here is an interesting draft text, and we are very keen to hear your expert views on it, Mister Pontneuf.
Act 2, Scene 2 Capulet's orchard
(ROMEO.)
ROMEO
He jests at scars that never felt a wound.
But soft. What light through yonder window breaks?
(JULIET enters above.) It is my lady. O, it is my love! O, that she knew she were!
She speaks, yet she says nothing. What of that?
Her eye discourses;* I will answer it.
I am too bold. 'Tis not to me she speaks.
See how she leans her cheek upon her hand.
O that I were a glove upon that hand, that I might touch that cheek.
JULIET
Ay me.
ROMEO
She speaks. O, speak again, bright angel!
JULIET
O Romeo, Romeo! Wherefore art thou Romeo?
Deny thy father and refuse thy name;
or, if thou wilt not, be but sworn my love, and I'll no longer be a Capulet.
ROMEO
(Aside.) Shall I hear more, or shall I speak at this?
JULIET
'Tis but thy name that is my enemy. Thou art thyself, though not a Montague.
What's Montague? It is nor hand, nor foot, nor arm, nor face, nor any other part belonging to a man.
O, be some other name!
What's in a name? That which we call a rose by any other name would smell as sweet.
So Romeo would, were he not Romeo called,
retain that dear perfection which he owns without that title.
Romeo, doff* thy name; and for that name, which is no part of thee, take all myself.
ROMEO
I take thee at thy word! Call me but love, and I'll be new baptized!
JULIET
What man art thou that thus bescreened in night so stumblest on my counsel?
ROMEO
By a name I know not how to tell thee who I am.
My name, dear saint, is hateful to myself, because it is an enemy to thee.
Had I it written, I would tear the word.
JULIET
My ears have not yet drunk a hundred words of that tongue's utterance, yet I know the sound.
Art thou not Romeo and a Montague?
ROMEO
Neither, fair maid, if either thee dislike.
JULIET
How camest thou hither, tell me, and wherefore?
The orchard walls are high and hard to climb,
and the place death, considering who thou art, if any of my kinsmen find thee here.
ROMEO
With love's light wings did I over-perch* these walls;
for stony limits cannot hold love out, and what love can do, that dares love attempt.
Therefore thy kinsmen are no stop to me.
JULIET
If they do see thee, they will murder thee.
ROMEO
I have night's cloak to hide me from their eyes; and but thou love me, let them find me here.
My life were better ended by their hate than death prolonged, wanting of thy love.
JULIET
Dost thou love me?
I know thou wilt say 'Ay;' and I will take thy word.
Yet if thou swearest, thou mayest prove false. At lovers' perjuries* they say Jove* laughs.
O gentle Romeo, if thou dost love, pronounce it faithfully.
Or if thou think'st I am too quickly won, I'll frown, and be perverse, and say thee nay.
ROMEO
Lady, by yonder blessed moon I swear–
JULIET
O, swear not by the moon, the inconstant moon, that monthly changes in her circled orb,
lest that thy love prove likewise variable.
ROMEO
What shall I swear by?
JULIET
Do not swear at all.
Although I joy in thee, I have no joy of this contract to night. It is too rash, too unadvised, too sudden;
too like the lightning, which doth cease to be ere* one can say, 'It lightens.'
Sweet, good night.
This bud of love, by summer's ripening breath, may prove a beauteous flower when next we meet
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Oho, yes yes, interesting, äh... much long text...
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Please do take your time to study the text carefully.
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Bien sur, ähm ich meine yes yes... reading...äh reading text yes!
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Which literary implications can you identify in this section?
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Oh, yes äh, its about äh love between Romeo and Julie - Juliet... yes...
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You have identified a significant and fundamental aspect of the literary interpretation of this famous work. Viewing love as the central framework of the plot arc in this impressive drama is a receptive idea that is both fascinating and obvious.
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Yes of course. Love!
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